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FIRST-YEAR SEMINAR: WRITING NEW YORK
Dr. DeFino Fall 2001 Iona College
DESCRIPTION:
A writing seminar focusing upon ideas of New York City communicated by a variety of artists working in different media (literature, painting, music, photography, film). We will use our writing to reflect upon these ideas, and to articulate our own.
TEXTS:
Hacker, A Writer’s Reference (Bedford/St. Martin’s); Lopate (ed.), Writing New York (Washington Square Press)
REQUIREMENTS:
--Regular attendance. Be here, and be on time. If you must miss a class for any reason, you are responsible for getting notes, assignments, and any other class materials from another student. More than three absences will lead to substantial grade penalty, and more than seven will result in automatic course failure.
--Participation (15% of final grade). To be successful, this course requires the contribution of each class member. Come prepared to discuss assignments, to share your work, and to respond to that of your classmates.
--Acceptable completion of all assignments. Due to the number and volume of reading assignments in this course, it is imperative that you keep up with the schedule; otherwise, you will become lost very quickly. You will also be required to complete the following assignments:
Critical essays (4 total, each 10% of final grade). Short in length, varied in subject and form, we will discuss each as it is assigned.
Critical forums (25% of final grade). FOLLOW THIS LINK FOR DESCRIPTION AND SAMPLE FORUMS.
Mid-term and end-term exam (each 10% of final grade). These will test your comprehension of the readings and class discussions, and should give you little trouble, provided you are reading and paying attention.
--Academic honesty. Plagiarism (the unauthorized use of another’s words or thoughts, while passing them off as your own) will lead to automatic failure.
***NOTE:
During weeks 2 and 3, all FYS students will attend two, one-hour Learning
Enhancement workshops***
Sep 4: introduction
Sep 6, 10, 11: CONNECTIONS: The Cruise (video); Whitman, “Crossing Brooklyn Ferry” (138)
Sep 13, 17, 18, 20: DISCONNECTIONS: Melville, “Bartleby the Scrivener” (153); Twain, “Personals”
Sep 24: writing workshop
Sep 25, 27: DOWN THESE MEAN STREETS: Riis, “The Down Town Back-Alleys” (294); photos by Riis & Weegee
Oct 1: taking stock; ***first paper due***
Oct 2: forum
presentations
***NOTE: Oct 5 & 10: STUDENT CONFERENCES***
Oct 4, 9, 11 (no
class Oct 8): MELTING POTS AND MOSAICS: Wong, “Experience of a Chinese
Journalist” (268);
Hurston, “Story in Harlem Slang” (680); Singer, “The Cafeteria” (896)
Oct 15: forum
presentations
Oct 16: writing workshop
Oct 18: mid-term
review
Oct 22: ***mid-term
exam***; mid-term grades submitted to the Dean’s Office
Oct 23, 24, 25: MONUMENTAL NEW YORK: Keller, “I Go Adventuring” (505); Mayakovsky, “Brooklyn Bridge” (479); Crane, “To Brooklyn Bridge” (485); photos by Stieglitz and others; ***second paper due Oct 25***
Oct 29: forum presentations
Oct 30, Nov 1 & 5: : NEW YORK CLOSE-UP: Reznikoff, “Millinery District” (620), excerpt from Autobiography: New York (621), excerpt from By the Well of Living and Seeing (621); McNulty,“Athiest Hit by a Truck” (642); Oppen, “Tourist Eye” (828); photographs
Nov 6: forum presentations
Nov 8, 12, 13: NEW YORK ARTS 1: JAZZ: Baraka, “Minton’s” (825); A Great Day in Harlem (video); music by Thelonious Monk, Billie Holiday, Duke Ellington, Lester Young, Charlie Parker
Nov 15, 19: NEW YORK ARTS 2: EAST COAST BEATS: Burroughs, excerpt from Junky (763); Ginsberg, “Mugging” (926); Johnson, excerpt from Minor Characters (972)
Nov 20: forum presentations
Nov 22: no class
Nov 26, 27: NEW YORK
ARTS 3: POLLACK: works by Jackson Pollack; ***third
paper due***
Nov 29, Dec 3 & 4:
NEW YORK ARTS 4: POP AND PUNK: works by Andy Warhol; music by Velvet
Underground, New York
Dolls, Ramones, Bob Dylan; ***forums
due Nov 29***
Dec 6, 10: LEAVING NEW
YORK: Didion, “Goodbye to All That” (886);***fourth
paper due Dec 6***
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