Events & Performances

Students in the Fine and Performing Arts programs at Iona University have a plethora of opportunities to share their work throughout the academic year.

Please explore a selection of past events and performances below.

IONA UNIVERSITY THEATRE ENSEMBLE

Spring 2025 "Anna in the Tropics" by Nilo Cruz 

"Anna in the Tropics" is a poignant and poetic play set in Florida in 1929 in a Cuban American cigar factory, where cigars are still rolled by hand and lectors are employed to educate and entertain the workers. The arrival of a new lector is a cause for celebration, but when he begins to read aloud from Anna Karenina, he unwittingly becomes a catalyst in the lives of his avid listeners, for whom Tolstoy, the tropics and the American dream prove a volatile combination.

People stand and talk on stage while drinking in Anna in the Tropics.
Three female actors in Anna in the Tropics.
A male actor gestures with his hands in Anna in the Tropics.
A male actor raises a cigar and smiles with a female actor looking on smiling in Anna in the Tropics.
A female actor with a pretty flower in her hair holds a book and smiles in Anna in the Tropics.

Fall 2024 "An Enemy of the People" by Henrik Ibsen

When Dr. Stockmann makes a discovery about the supposed healing waters of the local baths in his town, a danger that risks the lives of everyone in town, he raises the alarm. But those with everything to lose refuse to accept his findings. He is rocked to his core when those in power not only try to silence him, they try to destroy him and everything he holds dear.

An Enemy of the People
Sitting at table An Enemy of the People
man speaking at podium An Enemy of the People
3 student sitting An Enemy of the People
person walking away An Enemy of the People

IONA UNIVERSITY THEATRE ENSEMBLE

Spring 2023 "All My Sons" by Arthur Miller

Set in the aftermath of World War II, the story follows the Keller family, who struggle to stay intact and forge a prosperous way forward, when a long kept secret threatens to come to light, having them confront their greed, betrayal, denial and ultimately, repentance.

A man in a suit and hat looks away while a woman speaks to him.
A man holds a woman hand and speaks to her while another man looks off in the distance.
Two men talk outside of a house.
A man sits at a cafe table with a woman and they talk.
A man faces away from a woman and she crosses her arms.
A man in a blue shirt grabs the collar in anger of a man in a suit.
A man and a woman sit at a cafe table and talk.
Two women speak to each other while a man in a bathrobe sits at a table and listens.
A man speaks to a woman and she looks upset.
A woman hugs a man in farewell.

Fall 2023, "An Inspector Calls," by J.B. Priestley 

Set in England in 1912, follow Inspector Goole as he is called in to probe the wealthy Birling family after the passing of a young woman. As the pieces fall into place, dark secrets are brought to light. 

Inspector Goole toasts the group.
Two characters talk in An Inspector Calls.
Inspector Goole interrogates people.
Two characters in An Inspector Calls stare seriously.
Two characters in An Inspector Calls stare at each other seriously and argue.

IONA UNIVERSITY DANCE ENSEMBLE

Spring 2023, "Arts, Architecture, and Community"

Director: Dr. Hannah Park in collaboration with the dancers 

Videographer: Dr. Gilliean Lee 

Choreographers/Performers:  
Leslie Aguirre, Haley Aversa, Samantha D’Agostino, Britney Castro, Sierra Emener, Blessing Forson, Lillian Johnson, Aaliyah Morales, Eliana Rivera, Jennifer Romain, Christele Romulus, Victoria Shinnick, Aamirah West 

Music: No Church in the Wild by Jay-Z and Kanye West (Instrumental) 

Note: This dance uses a co-created dance film that incorporates the movement train structure (inspired by Mitchell Rose’s Exquisite Corps) to explore the physical embodiment of sounds through experimentation with limbs, gestures, and actions. The process involved reflecting on self, connecting with senses, and being inspired by the space in which the dance was created, focusing on its architecture. The performance is used as an introduction to each dancer as well as each dancer’s explorations on dialoguing with themselves on the screen. Some compositional ideas incorporated are Elements of Dance related to body manipulation, mirroring, exploration of pathways, exploration of entrance and exits, and varied shape and motion possibilities.  

Choreographer: Dr. Hannah Park in collaboration with the dancers 

Performers: Leslie Aguirre, Haley Aversa, Samantha D’Agostino, Britney Castro, Sierra Emener, Blessing Forson, Lillian Johnson, Aaliyah Morales, Eliana Rivera, Jennifer Romain, Christele Romulus, Victoria Shinnick, Aamirah West 

Music: Modular Body 1 by Machinefabriek, Nu by Ori Lichtik, Complete Control by Slam/Clouds edited by Dr. Gilliean Lee 

Note: Using images of the Luray Cavern (in VA) as a metaphorical guide, the piece examines the dancers' collective kinetic ideas of “inner beast,” the things we use to protect ourselves and represent ourselves as approachable, and its other aspect, “the best within,” through physical exploration of implosion vs. explosion. 

Choreographer: Prof. Lisa Harvie

Performer: Victoria Shinnick

Music: James Hanley (original song), Gabriel Yared (film composer)

Note: This song was made popular by Judy Garland in the 1930's and speaks simply to the architectural design of the heart and the ups and down of love. 

Choreographer/Performer: Haley Aversa

Music: To My Younger Self by Britton

Note: The dance explores blueprints of one's life as it also examines the interplay of the darkness and lightness within.  

Choreographer: Jennifer Romain

Dancers: Jennifer Romain, Sierra Emener, Blessing Forson, Britney Castro

Music: Tomorrow We Fight by Tommee Profitt & SVRCINA, and Witching Hour by Tommee Profitt and Brooke Griffin edited by Jennifer Romain

Note: The dance explores individuality within community while celebrating differences and similarities within the group.  

Choreographer/Performer: Christele Romulus

Music: Chocolat by Ya Levis, Juice by Ycee, instrumental and audio edited by Christele Romulus

Note: The dance celebrates the dancer's culture and examines one's vulnerability through reflections on oneself and one’s history integrating movements inspired by Afro-Caribbean and Hip-Hop aesthetics.  

Choreographer/Performer: Haley Aversa and Jennifer Romain

Music: Gods Awaken by Filip Lackovic

Note: The dance, which was recently presented at NY State Dance Education Association Conference 2023 as a part of its student showcase, explores the power of inner strength in a world with various beliefs, ideas, and challenges. It investigates the need to make choices and grow.  

Choreographer/Performer: Eliana Rivera

Music: Dangerous by Michael Jackson

Note:  The dance examines texture and rhythm of movement and its relationship to music as it explores various possibilities of dynamics that represent certain architectural shapes.  

Choreographer: Prof. Lisa Harvie

Performers: Haley Aversa, Britney Castro, Samantha D’Agostino, Sierra Emener, Lillian Johnson, Victoria Shinnick

Music: Le Jazz Hot from the musical "Victor Victoria" Composed by Henry Mancini

Note: Le Jazz Hot, from the 1982 film Victor, Victoria, is a brassy, slinky tribute to New Orleans jazz. Set in Paris in the 1930's, this piece highlights the world of cabaret and the pulsating energy of jazz music and dance which was, at the time, an artistic and cultural community in the making. 

Choreographer/Performer: Dr. Hannah Park

Music: Eleven by yMusic, Ryan Lott

Note: The piece examines the inner contents of the body as a guide and investigates the “inner” flow with a focus on the body's fluid system. 

Choreographer: Prof. Andrea Markus 

Performers: Leslie Aguirre, Haley Aversa, Samantha D’Agostino, Sierra Emener, Blessing Forson, Lillian Johnson, Aaliah Morales, Eliana Rivera, Jennifer Romain, Christele Romulus, Aamirah West 

Music: Circle of Life (Trap Music) Original song from Disney Soundtrack, remixed by Lucid and Extreme by Les Tambours du Bronx. Mix by Andrea Markus. 

Note: The dance is a collaborative exploration of movement inspired by music of the African diaspora.  

Iona University Theatre Ensemble

Spring 2023

"Deathtrap" by Ira Levin

Ensconced in his charming Connecticut home, Sidney Bruhl, hasn’t written a hit play for years when he receives a recently completed play from a former student, Clifford Anderson, that’s a guaranteed success. The once great playwright finds a chance to rise to the top once more, a shot he’d be willing to kill for.

The three actors in Deathtrap by Ira Levin.
Three characters toast in Deathtrap by Ira Levin.
A character escapes handcuffs in Deathtrap by Ira Levin.
Two characters by a typewriter in Deathtrap by Ira Levin.
A character in handcuffs in Deathtrap by Ira Levin.

IONA UNIVERSITY DANCE ENSEMBLE

Fall 2022: "Sound, Traces, and Motion"

Director: Dr. Hannah Park 

Videographer: Dr. Gillean Lee

Choreographers/Performers:  
Leslie Aguirre, Haley Aversa, Samantha D’Agostino, Darianny Mercedes, Aaliah Morales, Ariel Posner,  Jennifer Romain, Christele Romulus, Kayla Torres, Victoria Shinnick, Ariana Tamayo, Aamirah West, Avia Willis

Music: Weird Fishes/Arepeggi by Rodrigo y Gabriela 

Note: This dance uses a co-created dance film that incorporated the movement train structure (inspired by Mitchell Rose’s Exquisite Corps) to explore the physical embodiment of sounds through experimentation with limbs, gestures, and actions. The process involved reflecting on self, connecting with senses, and being inspired by the space in which the dance was created. The performance is used as an introduction to each dancer as well as each dancer’s explorations on dialoguing with themselves on the screen. Some compositional ideas incorporated are articulations of Elements of Dance related to body manipulation, mirroring, exploration of pathways, explorations of entrance and exits, and varied shape and motion possibilities.  

Choreographer: Prof. Lisa Harvie 

Performers: Haley Aversa, Samantha D’Agostino, Jennifer Romain 

Music: I Won’t Dance by Erin Boheme (Feat. District 78) 

Note: This piece is performed to the well-known jazz standard "I Won't Dance" which was originally written by Oscar Hammerstein II and Otto Harbach, and subsequently re-written by Dorothy Fields. It was famously used for a Fred Astaire and Ginger Rogers dance and has been recorded by numerous artists over the years. The arrangements change, the vocal choices vary, and the sounds of the music find new life, yet the song remains a joy to dance...despite stating otherwise! 

Choreographer/Performer: Dr. Hannah Park 
(Dance on Screen)

Music: Earth by Garth Stevenson

Note: The piece, originally presented at the Somatic Conference and Dance Performance Festival on July, 2022 in Geneva NY, uses the somatic lens to explore the function of the body and the mind and their relationships to the different expressive capacities of our bones, muscles, organs and ligaments coming from the details of the sounds in the music score.  

Choreographers: Dr. Hannah Park in collaboration with dancers

Performers:  
Leslie Aguirre, Haley Aversa, Samantha D’Agostino, Darianny Mercedes, Aaliah Morales, Ariel Posner,  Jennifer Romain, Christele Romulus, Kayla Torres, Ariana Tamayo, Aamirah West, Avia Willis

Music: Bright Rumped Atilla Bird Sounds & Calls by Sound Ideas, Birdwatching at Inner Forest by Penguin Café Mix edited by Gillian Lee 

Note: This dance explores individual and collective physical ideas of joy inspired by rhythms of nature and music.  

Choreographer/Performer: Victoria Shinnick

(On Screen Thursday, November 3, live on Friday, November 4)

Music: Gravity by Sara Bareilles

Note: The dance highlights the power of strength and its various colors.  

Choreographer/Performer: Haley Aversa

Music: Oceans (Where Feet May Fail) by Hillsong UNITED, Zion (Deluxe Edition) Edited by Haley Aversa

Note: This dance explores re-finding one’s faith and its power in overcoming various obstacles and challenges faced. 

Choreographer/Performer: Jennifer Romain

Music:  Sellah by Kanye West, edited by Jennifer Romain.

Note: The dance explores contrast and experimentation with focus on slow and minimalistic gestures highlighting personal meanings on life and its possible complexities.  

Choreographers/Performers: 

Dr. Hannah Park, Prof. Lisa Harvie, Prof. Andrea Markus

Videographer: Dr. Gillean Lee

Music:  Modular Body 1 by Machinefabriek

Note:  This screen dance aims to express collective voices and identity of the faculty/artists involved with the program through individual site-specific explorations on a given space with a focus on the embodiment of multiple senses.  

Choreographer: Prof. Andrea Markus 

Performers:  
Leslie Aguirre, Haley Aversa, Samantha D’Agostino, Darianny Mercedes, Aaliah Morales, Ariel Posner,  Jennifer Romain, Christele Romulus, Kayla Torres, Ariana Tamayo, Aamirah West, Avia Willis

Music: Agua by Kalunga and Yole by Jason Hann. Mixed by Ace 

Note: This piece is about exploring the different movement qualities from Africa and the diaspora that flow like water and are grounded in the earth and desires. “Life is a cabaret old chum, come to the cabaret!” 

Iona University Theatre Ensemble

Fall 2022

"Master Harold"...and the boys by Athol Fugard

South Africa, 1950's, St George's Park Tea Room, Port Elizabeth. During a rainy afternoon, employees Sam and Willie practice their steps for the ballroom dancing championship.

Hally arrives from school to the tearoom. These two men have been unlikely best friends to Hally since Hally was a young boy. But it is apartheid era South Africa, and he is Master Harold, and they are the boys.

This award-winning play explores the nature of friendship, and the ways people are capable of hurting even those they love.

Sam and Willie practice their steps in "Master Harold" .... and the boys by Athol Fugard.
Sam and Hally talk in "Master Harold" .... and the boys by Athol Fugard.
Hally monologue from "Master Harold" .... and the boys by Athol Fugard
Sam, Willie and Hally in "Master Harold" .... and the boys by Athol Fugard.

Iona University Theatre Ensemble

Spring 2022

"Veronica's Room" by Ira Levin

A young man and woman find themselves as guests lured to the crumbling Brabissant mansion by its dissolute caretakers. Struck by the young woman's strong resemblance to the owner’s long deceased daughter, Veronica, the older couple slowly persuades her to impersonate Veronica to meet Cissie, the sole surviving member of the mansion's family and comfort her as she believes Veronica is still alive. Once dressed in Veronica’s clothes, the line between what is real and what is not begins to blur.

Veronica and the mother in Veronica's Room.
Four characters in Veronica's Room look at a framed picture.
Four characters in Veronica's Room have a conversation.
Two characters in Veronica's Room have a heated conversation.
The doctor character in Veronica's Room.

Iona University Dance Ensemble

Spring 2022: "Reflection in Action"

The pandemic over the past few years has reminded us of the need to reflect on the past and to invite the future with intention. This semester, the Iona University Dance Ensemble members used dance and creative processes as tools for reflection, both personal and on important matters that lead to growth and connection through embodiment. As a director, it was an honor to witness the dancers reflecting on the hopes and visions that are needed for a new beginning, through creative processes, as we see the pandemic improving.

Throughout the process, the dancers sought to explore the meaning of self, others, and matters that are important to them, whether those might be personal, spiritual, or philosophical. Besides a contemporary ensemble piece that explores the idea of individual and collective vision and hope observed in our lives, and the ensemble’s dance film-based piece that highlights each dancer’s physical ideas of reflections in a chosen space, the program also includes a dance on screen that shows the collective voices of dance faculty members/artists involved in the program, and a work by our continuing guest jazz dance artist, Ms. Lisa Harvie. Ms. Harvie’s ensemble musical theatre piece, “Mein Herr” and “Cabaret” from the musical Cabaret highlights dance as a way to experiment freely, to show off, and to reflect on our deepest dreams and desires. Additionally, we have advanced student choreographers’ solo projects that explore physical and internal reflections on self or other matters.

We congratulate all the performers for their work as creative artists, thinkers, and collaborators. We also want to recognize our current senior dancers who are graduating this year after having committed themselves to the ensemble for the past four years and wish them the very best for the future. We thank the Council on the Arts and the Arts and Languages department for making this program possible.

Finally, I invite you to witness the embodiment of various meaningful reflections from the perspectives of our performers and choreographers. It is my hope that the program will provide appreciation of dance as an art form and a form of reflection to remind us of the beauty of life even in the midst of these present times.

As always, the Iona University Dance Ensemble expresses its deep gratitude for your continued generous support.

Sincerely Yours,

Hannah Park, Ph.D.
Director of Iona University Dance Ensemble

Reflection in Action

Director: Dr. Hannah Park in collaboration with the dancers

Videographer: Dr. Gilliean Lee

Choreographers/Performers:

Madison Anderson, Laura Arroyo, Leslie Aguirre, Haley Aversa, Breanna Bass, Brittney Castro, Samantha D’Agostino, Elizabeth DeLeo, Chiara Fabiano, Daniela Gregarek, Lara Lyn Jackson, Lillian Johnson, Khris-Annecia Lewis, Isabella Lopane, Laila Ojeda, Jennifer Romain, Victoria Shinnick, Melanie Vazque-Ponce

Music: "Drug" by Nu

Note: This dance uses a co-created dance film that incorporated the movement train structure (inspired by Mitchell Rose’s Exquisite Corps) to explore the physical presentation of reflections through experimentation with limbs and gestures and actions that one can relate to. The process involved reflecting on self, connecting with images and/or thoughts coming from one’s own experience, and careful observations to attune to various matters that are present in our lives. The performance is used as an introduction to each dancer as well as each dancer’s explorations on dialoguing with themselves on the screen. Some compositional ideas incorporated are articulations of Elements of Dance related to the content of reflection, body manipulation, mirroring, exploration of pathways, explorations of entrance and exits and varied shape and motion possibilities.

A Cleanse
(Dance on Screen)

Choreographers/Performers: Dr. Hannah Park, Prof. Lisa Harvie

Videographer: Dr. Gilliean Lee

Music: "JennyLauren2" by Michael Wall

Note: This screen dance aims to express collective voices and identity of the faculty/artists involved with the program through individual site-specific explorations on a given space with a focus on the embodiment of cleansing.

Intent

Choreographers: Dr. Hannah Park in collaboration with the dancers

Performers: Madison Anderson, Laura Arroyo, Leslie Aguirre, Haley Aversa, Breanna Bass, Brittney Castro, Samantha D’Agostino, Elizabeth DeLeo, Chiara Fabiano, Daniela Gregarek, Lara Lyn Jackson, Lillian Johnson, Khris-Annecia Lewis, Isabella Lopane, Laila Ojeda, Jennifer Romain, Victoria Shinnick, Melanie Vazque-Ponce

Music: "Escape Artist" by Zoe Keating

Note: This dance explores individual and collective physical and internal expressions and ideas on intention through the exploration of relationships, pathways, and visuals.

Overcoming

Choreographer/Performer: Victoria Shinnick

Music: "Reflection" (Mulan 2020) Originally Performed by Christina Aguilera, edited by Victoria Shinnick

Note: This dance piece highlights the ebb and flow within the process of overcoming obstacles through integrating ballet movement vocabularies and articulating possible movement qualities that represent the idea of exploring physical representations of beauty within the experience.

La Cultura

Choreographer/Performer: Laura Arroyo

Music: A Mi Manera by Gipsy Kings

Dance Film: Laura Arroyo

Note: The piece focusing on Latinx movement styles and experimentation explores the integration of three different styles of Latinx dance forms- Tango, Salsa, and Bomba. The dance reflects the dancer’s journey of dance and its possible role in shaping one’s cultural identity.

Bring Back the Love

Choreographer/Performer: Khris Annecia Lewis

Music: "Higher Love" by Kygo, Whitney Houston

Note: This dance explores lightheartedness and playfulness as it highlights various inspirations for meanings of love.

Power of Mind

Choreographer/Performer: Jennifer W. Romain

Music: "Eights 120" by London Dance Collective and "Enemy" (From the series Arcane) by Imagine Dragons, Arcane and League of Legends, edited by Jennifer W. Romain

Note: This piece examines the relationship between inner-outer through explorations of the interplay between actions and reactions through experimentations with gestures, movement dynamics and call and response.

Girl throughout the Seasons

Choreographer/Performer: Elizabeth DeLeo

Music: "MacArthur Park" by Donna Summer

Note: The dance highlights the meaning of change and learning from the past and its necessity in life as one reflects on the past and invites the future.

Reflection on “Hate”

Choreographer/Performer: Isabella Lopane

Music: "God Must Hate Me" by Catie Turner

Note: This piece explores one’s internal struggle and its possible influence on self-esteem through exploration of mirroring, shapes, and gestural studies.

An Excerpt from “Immersion”: A Work in Progress (Dance On Screen)

Choreographer/Performer: Dr. Hannah Park

Music: The Introspecting by Pete Kuzma

Note: The piece somatically examines various visuals and sensations that may symbolize hope through immersion of bodily reflection on integrity, imagination, and faith and its possible complexity.

“Mein Herr” and “Cabaret” from the musical Cabaret

Choreographer: Prof. Lisa Harvie

Performers: Madison Anderson, Khris Annecia Lewis, Laura Arroyo, Haley Aversa, Samantha D’Agostino, Elizabeth DeLeo, Isabella Lopane, Jennifer Romain, Victoria Shinnick

Music: Version from Fosse/Verdon FX Miniseries, John Kander (music), Fred Ebb (lyrics), Alex Lacamoire (music director) Steve Gizicki (music supervisor)

Note: Life on stage is often an escape from reality. Within that escape, though, is a world wherein there is freedom to explore, to experiment, to show off, and to reflect on our deepest dreams and desires. “Life is a cabaret old chum, come to the cabaret!”

Fall 2021

Theatre: The Weir by Conor McPherson

In a bar in rural Ireland, the local men swap folklore stories in an attempt to impress a young woman from Dublin who recently moved into a nearby house. However, the tables are soon turned when she spins a tale of her own.

Watch Now: The Weir

Moments from The Weir 

Three characters in The Weir talk at the bar.
Four characters ready to exit the bar in The Weir.
The female character delivers her monologue in The Weir.
A male character delivers a monologue in The Weir.
A character points to the door during The Weir.
Two characters sit at the bar in The Weir.

Spring 2021

Theatre: An Ideal Husband by Oscar Wilde

Photo Gallery: An Ideal Husband by Oscar Wilde

The 2021 An Ideal Husband cast.
One male and two female actors in An Ideal Husband.
Three female actors in An Ideal Husband.
One male and one female actor in An Ideal Husband.
Two female actors in An Ideal Husband.

2021 Visual Arts Exhibition

Iona College Dance Ensemble: Social Justice in Motion

Choreographers: Dr. Hannah Park in collaboration with the dancers

Videographer: Nicholas Carter

Performers: Madison Anderson, Laura Arroyo, Haley Aversa, Olivia Conte, Elizabeth DeLeo, Sierra Emener,Eileen Exama, Megan Fisher, Isabella Lopane, Sarai Perez,Jennifer Romain Melanie Sena, Victoria Shinnick

Music: Rhythm Talks by Groove Junkie by Kyle Preston

This dance uses the movement train structure (inspired by Mitchell Rose’s Exquisite Corps) as it examines specific issues related to social justice that are important to each of the dancers. These include various types of mental illnesses, the Black Lives Matter movement, domestic abuse, sexual violence, and LGBTQ, among others, for a continued choreographic exploration of individual expression within a chosen space, capturing personal perceptions of the details of the space and the environment in relation to the issue through embodiment. The process involved integrating and connecting with dance, visual art and/or images, research, and storytelling coming from one’s own experience and perspectives to highlight the need for bringing awareness of inclusiveness and social justice.

Choreographers: Dr. Hannah Park in collaboration with the dancers

Videographer: Nicholas Carter

Performers: Madison Anderson, Laura Arroyo, Haley Aversa, Olivia Conte, Elizabeth DeLeo, Sierra Emener, Eileen Exama, Megan Fisher, Isabella Lopane Sarai Perez, Jennifer Romain, Melanie Sena, Victoria Shinnick

Music: One Earth, One People, One Love by Terry Riley, Kronos Quartet

The piece highlights the need for people to be heard, understood, and embraced as it explores each individual dancer’s perceptions and embodied expressions of different social justice issues that have been revealed and experienced in the past year.

Choreographer/Performer: Dr. Hannah Park

Music: Skirmish by Kyle Preston

Using selected action words related to pulling and reaching as metaphors, the dance examines the need to speak, and reach out in order to validate, understand, and reflect on justice, injustice, and equity.

Choreographer: Ms. Lisa Harvie

Videographer: Nicholas Carter

Performers: Madison Anderson, Olivia Conte, Megan Fisher, Victoria Shinnick

Music & Lyrics: Shine on Your Shoes by Arthur Schwartz and Howard Dietz performed by Liza Minnelli

Originally from the Broadway musical The Band Wagon, this piece focuses on the idea of stepping forward with a purpose and eagerness to maintain a positive attitude and to better ourselves and the people around us. “With a shine on your shoes, there’s a melody in your heart…” Thus, simple acts start with one step at a time.

Choreographer/Performer: Laura Arroyo

Music: My Future by Billie Eilish

This piece experiments with the idea of women’s empowerment by examining different colors and aspects of female power and its relationship with one’s background, history, thoughts, and body.

Choreographers/Performers: Madison Anderson, Haley Aversa

Music: Lost in Thought by Jon Hopkins

This piece highlights awareness of suicide and examines ideas related to suicide through various physical and emotional expressions.

Choreographer/Performer: Megan Fisher

Music: Driver’s License x Praying by Olivia Rodrigo and Kesha

This piece examines the challenges and reality surrounding mental illness, specifically anxiety, and its possibly uncontrollable varied emotions and states.

Choreographer/Performer: Jennifer Romain

Music: Natural by Imagine Dragon, Woman by Kesha

This piece explores the general norms in society and one’s struggle to blend in because of one’s unique preferences and identity.

Choreographers/Performers: Olivia Conte, Elizabeth DeLeo

Music: You Don’t Own Me by SAYGRACe and G-Eazy

This piece highlights domestic abuse and its psychological impact.

Choreographer: Ms. Lisa Harvie

Videographer: Nicholas Carter

Performers: Madison Anderson, Laura Arroyo, Haley Aversa, Olivia Conte, Elizabeth DeLeo, Megan Fisher, Isabella Lopane Sarai Perez, Jennifer Romain, Victoria Shinnick

Music: “In the Heights” Original Broadway Cast Recording Music and Lyrics by Lin-Manuel Miranda

Originally from Broadway’s In the Heights, this piece focuses on the importance of community and social connection. In both joyful and challenging times, we depend on the people within our own circles to continue moving forward.